Special offer for LiteratureEssaySamples.com readers. Drawing upon Aboriginal social issues of assimilation and racism, which increase the value of the text to an Australian and Aboriginal audience, Winton provides a dark history of Cloud street, “Girls were procured and the house filled. In representing relevant spiritual issues within Cloudstreet, Winton enables the novel to be able to connect to a wide variety of individuals with varying beliefs and increases the value of the text as a whole. Spirituality in Cloudstreet is most distinctly explored through the characterization and experiences of Fish. It was the first book written that did not make any mention of god and at the […], The devastating events of WWII and the dropping of the Atomic Bomb in 1945 ruptured the foundations of both the physical and psychological position of mankind, provoking an Existential crisis […], The story of Adam and Eve illustrates the sinful nature of man. Before his final release in the river at the end of the novel, Fish consistently yearned for “the water”, and his spiritual approach to it became a passionate devotion, “…he’s hungry for the water, he wants it more than ever.” The motif of the water is ultimately a metaphor for Fish’s release through death, which he thirsts for ever since “only half of [Fish Lamb] came back”. Fish’s spirituality, and ability to connect with other spiritual beings such as ghosts and the pig, eventually lends itself to other characters. The author makes sophisticated use of point of view in this novel. It’s no language that he can understand but there’s no doubt.” Magic realism is depicted through this quote and Lester eventually determines his own understanding of the pig as “Pentecostal”, thus connecting it to his own Christian faith. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. This involves understanding what knowledge is, and determining cases in […], Bernard Malamud’s The Fixer depicts the constant tribulations of Yakov Bok during the pre-Russian Revolutionary era. Cloudstreet is set in a particular time and a very specific place and while it is sometimes seen as a very regional representation of Western Australia, or Perth in particular, it is the national relevance of the narrative and its universal nostalgia that makes the novel such a national favourite. It is only through death that the Physical Fish and Spiritual Fish can be united, and the cyclical narrative can reach its end. This stylistic technique […], The Prince is more of a manual for successful leadership then a book. Winton further presents Aboriginal spirituality through the character of the Aboriginal man, who interacts with Quick and Sam, and watches over Cloud street in an attempt to rid the negative spirits that reside in it, “Down the street, looking up with bloodshot eyes, a dark, woolly man stands with a stick, beating it slowly against his knee, humming under his breath until the dusk claims him and the library goes back to being vile and dark and fluid.” The negative connotations in this figurative language reinforce the dark history and spirituality that is within Cloud street, which is eternally released with the birth of Wax Harry, “The spirits on the wall are fading, fading, finally being forced on their way to oblivion… freeing the house.” Winton employs cyclical narration to juxtapose the beginning and end of the negative spirituality within Cloudstreet: the spirits awaken with a death in the library and are finally freed from the library with a birth. On a few occasions, Winton breaks out of the omniscient narrator's voice to speak directly to the reader, addressing him or her as "you." The author makes sophisticated use of point of view in this novel. While Wyatt had been known for lighter riddles, songs and satires, […], To figure out the nature of knowledge, one must ask what it means to know, or fail to know something. Much to Lester’s surprise, he recognizes Fish’s communication with the anthropomorphic pig: “The flamin pig. One of the most significant themes explored within Tim Winton’s Cloudstreet is spirituality, and the novel reflects a wide range of differing spiritualities, including the belief in luck and chance, religion, as well as exploring Australian history through Aboriginal spirituality. As an increasingly diverse and multi-faith nation, Cloudstreet reflects Australia’s changing belief systems and growing secularism, particularly prevalent to its 1940’s-1960’s context. Religion has long been a source of inspiration for the performing arts. This influence can be seen at all levels of performance throughout history, from church basement productions of the […], Humans can only experience life subjectively: each of us is rooted in our own individual positions that cause us to perceive differing shades of reality. His employment of several ghostly or paranormal elements in the plot enables him to tell some of the story from the viewpoint of a character beyond this world, who the reader recognizes must be a part of the consciousness of a living character in the book, Fish Lamb. Cloudstreet is a novel in which not everything should be taken at a literal level, as one of the most prominent literary devices used by the author is symbolism, providing a deeper understanding and insight into the story’s main themes. It greatly stresses textual integrity (all the aspects which combine to make Cloudstreet a great novel). The spirituality of Cloud street, the “living breathing house”, is made most apparent through Winton’s introduction of Aboriginal spirituality. The Lambs are a testament to this, as Fish’s near-death experience prompts them to disregard their belief in God, religious allusion clearly identifying this, “No one believes anymore: the disappointment has been too much.” After “The Lambs of God” could no longer be applied to his name, Lester struggled to completely disconnect from his faith and sought spirituality in knife spinning, “The knife never lies, you know… It always knows best.” The theme of luck and chance arises within this quote and it is an understanding that Lester shares with Sam, who blames his impulsive and irresponsible behavior on “the shadow”, a recurring motif within the text: ““Well the shadow was on him, the Hairy Hand of God, and he knew that being a man was the saddest, most useless thing that could happen to someone.” Winton’s utilization of episodic structure allows each differing spirituality to be showcased and compared to that of others, demonstrating the increasing diversity of faith within society. Plato’s and Smith’s Differing Epistemologies: Assessing “Phaedrus” and “Rereading Barthes and Nabokov”, The Unraveling of Courtly Love: Responses to Petrarchan form in Wyatt, Sidney, and Shakespeare, The Garden of Eden in America: Dichotomies in The Scarlet Letter, The Futility of Human Existence in the Cold War Era: Synthesizing Waiting for Godot, Dr Strangelove, Ariel, and Revolutionary Road, Defamiliarization in the “The Definition of Love” by Marvell and “Washing Day” by Barbauld, The Illusion of Power in The Handmaid’s Tale by Margaret Atwood, Morality Plays or Mortality Plays: Religion in ‘Everyman’ and ‘The Brome Play of Abraham and Isaac’, Use of Similes and Metaphors in God of Small Things.