Upon entering high school, teenage Bregović joined the school band Izohipse where he began on bass guitar. 15 more photos, Javascript is required to view shouts on this page. Since 2012 the orchestra consists of 9 people (in the small version) or 19 (in the large version), as it played in New York at the Lincoln Center on 15 and 16 July 2016.[14]. He furthermore participated in their campaign and contributed to it in creative capacity. Oriental, klezmer and classical styles coexist in three instrumental pieces performed by unique soloists from Israel, the Balkans and Maghreb. He soon quit, however. Baš hoću!. It consists of: (You Will Never Know the Heart Of a Woman). Assigned to a unit based in Niš, he would spend the following year away from music, a period during which the band was on hiatus. -Bregović in December 1976 on his political activity. A Sarajevo native, Bregović started out with Kodeksi and Jutro, but rose to prominence as the main creative mind and lead guitarist of Bijelo Dugme, widely considered as one of the most popular and influential recording acts ever to exist in the Socialist Federal Republic of Yugoslavia. The couple has three daughters: Ema (born in March 1995), Una (February 2002), and Lulu (May 2004). Upon entering high school, teenage Bregović joined the school band Izohipse where he began on bass guitar. Biografija. With his Wedding and Funeral Orchestra he mixes Gypsy brass musicians with percussions, Bulgarian polyphonies with a choir of male vocalists, a string section with electronic programming … Dressed in white, seated between his amplifier and his computer, an electric guitar in his hand, Goran conducts each night his motley crew that varies in size (9 to 19 musicians and up to 60 on special occasions)For more than twenty years Goran Bregović and his Wedding and Funeral Orchestra have roamed all continents of the known world on a never-ending tour that totals over 3000 shows so far. In 1993, Bregović married his long-time girlfriend Dženana Sudžuka, a Bosniak model. He fell four meters from a cherry tree in the garden of his home in Senjak, a Belgrade district, breaking vertebrae. [30][31][32][33][34], In the mid-2000s, French singer-songwriter Enrico Macias reportedly sued Bregović over Bregović's song "In the Deathcar" off the Arizona Dream soundtrack album, claiming it plagiarized Macias' song "Solenzara". Oriental, klezmer and classical styles coexist in three instrumental pieces performed by unique soloists from Israel, the Balkans and Maghreb. The small orchestra consists of Muharem "Muki" Rexhepi (vocals, drums), Bokan Stanković (first trumpet), Dragić Velićović (second trumpet), Stojan Dimov (sax, clarinet), Aleksandar Rajković (first trombone, glockenspiel), Miloš Mihajlović (second trombone), female vocals Bulgarian singers Daniela Radkova-Aleksandrova and Lyudmila Radkova-Traykova, and Goran himself. His first project was Emir Kusturica's Time of the Gypsies (1989). With the album "Three Letters from Sarajevo", Goran Bregović recognizes and celebrates this diversity of origins and heritage on cultural, religious and national levels. [11] Kamarad's debut co-release was Čolić's 1984 studio album Ti si mi u krvi followed by Bijelo Dugme's self-titled studio album later that year with new vocalist Mladen "Tifa" Vojičić. je glazbenik iz Bosne i Hercegovine.Autor je filmske glazbe i jedan je od najpoznatijih skladatelja s Balkana.Postao je poznat u sedamdesetim godinama prošlog stoljeća kao vođa i gitarist skupine Bijelo dugme In 2017, he was a guest artist on Puerto Rican rapper Residente's album Residente on the song "El Futuro Es Nuestro" (Spanish for "The Future is Ours"). [30][31][32][33][34], In the mid-2000s, French singer-songwriter Enrico Macias reportedly sued Bregović over Bregović's song "In the Deathcar" off the Arizona Dream soundtrack album, claiming it plagiarized Macias' song "Solenzara". Eight years later the track was re-recorded with Tifa on vocal, and repackaged on Bijelo dugme's 1984 album Kosovka djevojka as "Lipe cvatu", which went on to become a huge hit and one of the band's signature songs. Recorded with his traditional Wedding and Funeral Orchestra, the album comprises also amazing and detonating vocal tracks by Bebe, Riff Cohen, Rachid Taha, Asaf Avidan, Sifet and Mehmed, performed in Spanish, Hebrew, Arabic, English and Serbo-Croatian. There he started learning to play violin and got acquainted with the counterpoint and harmony, but this just didn’t seem fun enough…. For many years Bregović performed with a large ensemble of musicians: a brass band, bagpipes, a string ensemble, a tuxedo-clad all-male choir from Belgrade, women wearing traditional Bulgarian costumes, and Roma singers make up his 40-piece band and orchestra.